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Tonight- Bricolage opens at Causey Contemporary

The artists in Causey Contemporary’s summer group show “copy and paste” imagery from the media and popular culture to illustrate the confusion of identity within which we now live. The exhibition opens with a public tonight and features work from my friend Kevin Bourgeois.

kevin-Bourgeois
Bricolage: Summer Group Exhibition
Cause Contemporary, 29 Orchard Street
Friday, July 15, 6:00-8:00pm
Bricolage is an underused word relating to the compositing of diverse materials, ideas or structures. It is used mainly with regards to art or literature.

Each of the artists in this curation created works which fall into this description. Further, each of the artists utilizes Bricolage to help them enunciate responses to the myriad identification issues present within our current society whether as a result of branding, politics, gender differences or societal norms.

Each artist believes it necessary to “copy and paste” borrowing via the use of photography, newspaper transfers or direct image copying to illustrate the confusion of identity within which we now live.

Featuring the works of:

Kevin Bourgeois
Benjamin Bertocci
Nick Cash
Micheal Demanche
Steven Dobbin
Erik Foss
Greg Haberny
Gerald Mocarsky
John O’Brien

About Kevin Bourgeois:

“Kevin Bourgeois takes the challenging medium of graphite and expands its boundaries in ways that invite inspection, contemplation, and interrogation. Through an almost painterly application of pencil on paper, Bourgeois experiments with both form and content, linking the complicated visual field with the equally complex subject matter. The combination of socio-political messages with a formal technique and aesthetically appealing product to transgress the association of socially explorative art with messiness and lack of pleasure.

The writings of Jean Baudrillard, Hakim bey, Allen Ginsberg, and Arthur Rimbaud frequently appear interwoven in the drawings, and also serve as an influence in the subject matter. The work is intellectual without being overly academic, definitive without being dogmatic, and displays a keen curiosity in what dwells beneath the surface.

An underlying theme of contrast defines the essence of Bourgeois’ exhaustively detailed drawings. The polarities of the sentimental and the cerebral, science and spirituality, poetics and politics, combine with the contrast heavy application of the black and white graphite medium. The body of work centralizes around the juxtapositions of technology versus human nature, individuality versus consumer culture, and superficiality versus altruism. Bourgeois’ art constantly grapples with the experience of the often emotionally sterile and multi-layered complications of contemporary existence and probes the relationship between love and sacrifice, constriction and freedom, mind and heart. Traveling the line that faintly defines each world from the next and exploring the barrier that can protect just as it restricts.”

-Abby Hertz

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