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The 80’s Past + Present

Bleecker Street Arts Club presents The 80’s Past + Present an exhibition curated by collector Keith Miller. Each of the five artists are highly influenced by and were influential in the street and Neo-pop art movements of the 80’s.  The show, opening tonight, highlights the impact of gritty New York City on artists, capturing the beauty of subway murals and water towers.

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Bleecker Street Arts Club is pleased to celebrate a group of artists brought together by the enthusiastic passion of one collector, Keith Miller. The link between CRASH, Tom Slaughter, Ronnie Cutrone, Scott Kilgour, and Michael De Feo lies beneath the surface of their art.  Each artist is linked to the zeitgeist of the events that were transpiring in the 1980s New York art scene: the years when creativity and flash ruled the streets. It was a time when Graffiti was making its way onto the gallery walls, and Andy Warhol was the six degrees of separation of the art world.  Art was changing and it was selling, and young collectors like Keith Miller were among the first to see the potential and importance of the new art coming from the streets influenced by the idea of Neo-Pop.

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CRASH was a well-respected father of the Graffiti movement having created murals on the subways and walls at a time when New York was a lot more dangerous.  As Andy Warhol’s assistant at the factory from 1972 to 1980, Ronnie Cutrone remained a main fixture in the Warhol cast of characters even after he went out on his own and developed his “Post-pop” aesthetic replete with animated character references. Even though Cutrone was not working in the street, his use of cartoon characters and common brands were his way of accessing the broader public in the decidedly Warholian pop way. Michael DeFeo was painting his iconic flower all over New York at the same time Tom Slaughter began making conspicuous images of New York City water towers, a theme which he still uses in the studio today. After emigrating from Glasgow in 1983, Scott Kilgour was making painting and drawing trash bags as a subject matter and showing at 56 Bleecker Gallery.  From Scott Kilgour’s turn to formalism and Michael De Feo’s flowers, each of the five artists has been influenced in some way by the 1980s art scene. For CRASH and Ronnie Cutrone, it was being part of the nucleus of the scene. For Kilgour and Slaughter and De Feo, it was being influenced and surrounded by the scene. For their show at Bleecker Street Arts Club, each artist has a unique take on art that, at its core, is about passion and exploration of what art is and what it can be.

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“The 80s: Past + Present” is really Keith Miller’s story about an exciting time when young artists with a street sensibility and accessibility were discovered by a group of young collectors. These young collectors were so vivaciously passionate about their explorations into contemporary art and this street scene that they would boldly call up artists such as Keith Haring to visit his studio: a move that took audacity, but also the knowledge that they as collectors were in a position to help build the scene through their patronage. Tom Slaughter describes a show he had in Southampton where Miller and his friends all arrived on brand new Harley Davidsons wearing T-shirts designed by Slaughter and manufactured by someone in their entourage who owned a factory; it was a collaborative effort. These collectors were fast and fun and making moves in the business world; collectively, they shared ideas and an aesthetic and felt a kindred spirit in the group of artists they chose to collect and hang out with.

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BLEECKER STREET ARTS CLUB

 IS PLEASED TO PRESENT

 

THE 80s: PAST + PRESENT

AN EXHIBITION OF WORKS CURATED BY KEITH MILLER

 

APRIL 24 – MAY 31

OPENING RECEPTION APRIL 24th FROM 6PM-8PM

 

 

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