Art Nerd New York | Los Angeles

Looking Back / The 9th White Columns Annual

Looking Back / The 9th White Columns Annual – Selected by Cleopatra’s

Opening Reception: Tuesday, January 13 / 6-8pm

Participating artists include:

Dennis Adams, Etel Adnan, Sam Anderson, Polly Apfelbaum, BFFA3AE, Sarah Charlesworth, Mike Cloud, Anne Doran, Koji Enokura, Peter Fend, Magdalena Suarez Frimkess, Guy Goodwin, Sheila Hicks, Gordon Hall, Van Hanos, David Hartt, Stanya Kahn, Annette Kelm, Josh Kline, Justine Kurland, Maria Lassnig, Louise Lawler, Robert Longo, Jeanette Mundt, Sigmar Polke, Mira Schendel, Trevor Shimizu, Greg Parma Smith, Frances Stark, Keiichi Tanaami, Malick Sidibé, Lily van der Stokker, Orlando Tirado – FLEX, Alex Waterman, Carrie Mae Weems, and Eugene Von Bruenchenhein (list in formation).
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New York’s iconic (and oldest) non-profit space, White Columns,  has bolstered the careers of emerging, unrepresented artists since 1970 in Soho. Tonight they celebrate the 9th rendition of their annual- although 45 years in the making, at 320 W 13 st at 6pm.

feat

“Looking Back” is the ninth installment of the White Columns Annual. The exhibition is now a fixture on White Columns’ calendar. Each year, an individual or a collaborative team (e.g. an artist, a curator, a writer, etc.) is invited to make an exhibition at White Columns based on their personal experience of looking at art in New York in the previous year. For the ninth ‘Annual’ exhibition, White Columns has invited the New York-based collective Cleopatra’s (Bridget Donahue, Bridget Finn, Colleen Grennan, Erin Somerville), to make the selection.

In a very straightforward sense, the ‘Annual’ exhibition hopes to reveal something of the complexities involved in trying to negotiate – and engage with – NewYork’s constantly shifting cultural landscape. The format of the exhibition inevitably encourages highly subjective and deeply personal responses to the realities of viewing art in New York. The ‘Annual’ exhibition series hopes to illuminate aspects of the specific, yet highly idiosyncratic routes –geographical, intellectual, historical, social, etc. – that individuals follow in an increasingly expansive and fragmented cultural environment.

Through the re-contextualization of artworks encountered in other circumstances and contexts, the exhibition hopes to establish – albeit temporarily – a new ‘narrative’, a conversation, of sorts, amongst artists and artworks, that seeks to illuminate and/or explore certain underlying tendencies, conditions, or connections that perhaps might otherwise have remained elusive or obscured. In re-thinking the (fairly) recent past the exhibition hopes to provoke something akin to a sense of deja-vu, establishing a scenario that is at once both reflective and forward thinking.

There are no restrictions as to what type of work can be included. “Looking Back” seeks to eliminate any categorical or hierarchical distinctions we might place upon artworks (e.g. based upon the circumstances in which they were originally seen, or the seniority of an individual artist, etc.) These works might have been originally encountered in exhibitions at institutions, galleries, and not-for-profit spaces, or during visits to artists’ studios etc.

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